Archivo de la categoría: Classicism

Beethoven’s and Mozart’s remixes by 3º ESO B

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‘Eroica’ (2003 BBC film) with spanish subtitles

The film is set in Vienna on June 9, 1804, the date of the private, first performance of Beethoven’s third symphony, later to be known as the ‘Eroica’, and dedicated (at first) to Napoleon Bonaparte.  Joseph Haydn, now old, arrives … Seguir leyendo

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‘Requiem in D minor’ by Mozart

A ‘Requiem’ is a mass for a dead person.  Composers wrote a lot of music to be played in masses, including this type. The lyrics are religious and part of the liturgy (secuencia, ofertorio, comunión). Mozart didn’t complete his Requiem … Seguir leyendo

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The ‘Allegretto’ from the 7th Symphony by Beethoven

Seventh Symphony was premiered 1813 during a charity concert for wounded soldiers at the Battle of Hanau. Due to the overwhelming response from the public, Beethoven was forced to repeat precisely the second movement: allegretto.  Movies have also  used on numerous … Seguir leyendo

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Epic Rap Battles: Beethoven vs Justin Bieber

They stole our idea! 😀

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Our first Epic rap battle! Guetta vs Beethoven

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Mozart’s operas

Mozart’s  most famous operas are Le nozze de Figaro (Las bodas de Fígaro), Don Giovanni (Don Juan) and Die Zauberflöte (La flauta mágica), premiered just months before Mozart’s death. The overture is an instrumental part to introduce the opera. The aria … Seguir leyendo

Publicado en 3º ESO, Classicism, mozart, Music History, Opera | Etiquetado , , , , | Deja un comentario

Surprise Symphony by Haydn: our version

The symphony is the new and most popular instrumental form appeared during the Classicism. Haydn, known as the ‘string quartet father’, wrote 106 symphonies. Most of them have titles like ‘Militar’, ‘Reloj, ‘Londres’… His music his characterized by simple and … Seguir leyendo

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Classicism: the simplicity of the melody

Against to the baroque, ornamental and exaggerated, Classicism opposes balance, proportion, grace and elegance of a cold and simple academicism where at any time the artist’s personality, are subjected to a rigidformal scheme.

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La hora de Jose Mota: Mozart

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